Lee Oskar 1910NBM Natural Minor Harmonica in Key of Bm Switches & Electronics Surface-mounting creates a “half-supercardioid” polar

Surface-mounting creates a “half-supercardioid” polar pattern and increases directivity 3 dB

expecially the right balance of the voice or the kick and bass

with an unmistakable look and sound that’s pure EVH

Two simultaneous voice-level effects (serial): Chorus/Flanger

The Audio Express lets you control mix volume independently from the input's trim level

Lee Oskar 1910NBM Natural Minor Harmonica in Key of Bm Switches & Electronics Surface-mounting creates a “half-supercardioid” polarLee Oskar 1910NBM Natural Minor Harmonica in Key of Bm Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone put to great use blowing horn like unison riffs with saxman Charles Millergave War's funky stew of Latino, Caribbean, African, jazz,